“Someday” has a similar haunting sound, but about a romantic so disillusioned with the lack of an ideal world, that the person has built a wall around them, disintegrating into fantasy. It’s a case of a recently recovered love, where the protagonist see the broken hearts on the pavement and is thankful she escaped that fate. “Storm In Our Hearts” has that resonating keyboard and layered chorus vocals that recalls songs like the Human League’s “Human” without that annoying effects that sound like someone’s chewing gum with their mouth open. On the louse she’s singing about: “You broke her heart while you gambled with their souls/now she’s just another sad adventure you’ll forget.” I think this was a single and the backbeat of drum machines and keyboard synths helps demonstrate a more confident Kim.Ī more R&B beat, with the same synth and drums, is present in “Love (Send Him Back To Me)” dwells on the egoist machinations that make love conceited and unkind, especially if one ends up being dumped. “It’s Here” about gaining one’s perspective and direction in a world of loneliness and broken promises, and realizing that it was actually right front of one’s eyes. Much of the heartwrenching bad love songs like “Four Letter Word,” and “Love’s A No” mostly absent here, with Wilde showing some optimism. Love Moves continues her pop journey, honing the synth pop sound into something sleeker than Close. Despite being dropped by MCA America, she continued to make music on MCA’s British branch. Kim Wilde’s Close yielded a new smart pop sound much ignored by the US.
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